-kx
Eh? EHH?
XYZR+KX and Foe Paw are both on the Frequencity compilation. You’re welcome.
Because we used correct grammar (you’re / your) go on and share that download, yo.
-kx
Eh? EHH?
XYZR+KX and Foe Paw are both on the Frequencity compilation. You’re welcome.
Because we used correct grammar (you’re / your) go on and share that download, yo.
Like Ms. Sherman, my creative process involves being alone, thinking, devising, mentally-sketching, tweaking, re-tweaking, re-thinking; sharing for feedback, and then re-tweaking some more. It’s emblematic of the contemporary, technology-enabled artist, in a way. Creative types have so many resources available: so many mediums to muck around in, so many visual sandboxes (like Adobe CSx–Photoshop, Illustrator, Premier); audio playgrounds (like Reaktor, Ableton, FL Studio) and platforms for interdisciplinary / cross-medium work (like Max/MSP, etc).
…
When I applied to art colleges, I was so disheartened by the rampant insistence that I choose a medium. I didn’t like the feeling of being forced to create within an established “language” (medium) that could be critically evaluated (by critics who specialized in media). Then I found California Institute of the Arts, was accepted, and played and played and played and finally found my voice. A voice that was me, and not limited to choice of media, but one that used media to express the ideas I wanted to introduce to the world.
And that, I feel, is true contemporary artistry. Knowing that the clay of the world is yours to play with and yours to enjoy.
Full Quantazelle rant is here.
Quench is a side project of Don and Roel Funcken, the Netherlands-based brothers who record under Funckarma and have released on various labels such as Dub, U-cover, Neo Ouija, Musik Aus Strom, and Delikatessen.
Ochre is Chris Leary, a music graduate currently residing in Birmingham, England. Leary began writing electronic music in 2001, releasing his music directly onto the Internet, getting involved with online electronic music communities, and consequently slowly but surely building a fan base. In 2002, he won a remix contest held by Rephlex artist Global Goon, which helped to further strengthen his reputation as an artist across the net.
Since then, Leary has released his debut EP, Sound System Bangers Volume 1 on the fledgling Repeat Music imprint, which has been well received by music critics and fans alike (the curiously inapt title notwithstanding), and has enjoyed radio exposure on Mary-Ann Hobbs’ ‘Breezeblock’ show on BBC Radio 1, as well airplay on London’s Xfm and Resonance FM stations. Also, he has also provided compilation tracks for UK labels such as Toytronic Records, Rednetic Recordings, Boltfish Recordings, Audiobulb Records and US-based Unschooled Records.
Combining a distinct digital aesthetic, a fascination with 8-bit machines, and textures and melodies reminiscent of pioneering UK labels like Warp and Rephlex, Tim Koch has reached a commendable status in the international electronic scene. He has appearances on labels such as Merck, Component, Seeland, and Lucky Kitchen, and full length releases on Defocus, Aural Industries, and n5md.
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By VA: Frequencity « Ajarndonald's Blog
By XYZR_KX + Foe Paw = Major glitchy collaboraction | subVariant | Quality Chicago Electronic Music
By XYZR_KX is the “Angriest Reader of the Week” on Angry Asian | subVariant | Quality Chicago Electronic Music
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By Brandon