ATOM (Senor Coconut) & Tobias this Saturday at the ESAC Launch Party

Electronic Sound + Art Chicago launches with a 2 room multimedia event at the Viaduct Theater in Chicago, featuring CHICAGO/MIDWEST DEBUT performances from two legendary electronic music composers, as well performances curated from a selection of established local artists.

Atom™ and Tobias Freund are veritable living legends of electronic music. Tobias began his career in the early ’80s, mainly using the pseudonym “Pink Elln”. He looks back on a long sequence of music making that has led him from mainstream pop to club music, and then onto the experimental and undefinable. Uwe Schmidt, better known as Atom™, has a similar musical background. He is most well known for his work under the Senor Coconut moniker, but has worked under dozens of other aliases, all with their own sound.

Doors at 9pm 21+
Discounted Advance Tickets via RESIDENT ADVISOR:

The Viaduct Theater
3111 North Western Avenue, Chicago, IL

Facebook Event Page

[3.22.12] Roth Mobot at the Colorboration Folk Fest

subVariant live circuit-bending performance duo Roth Mobot is scheduled to play at a free folk music festival presented by the Old Town School of Folk Music, the colorboration Folk Fest

Free Roth Mobot performance in the Loop! We wangled our way into a FREE mini “folk music” festival. Yup, the world is beginning to see that circuit bending is a form of experimental electronic folk music ;-) Roth Mobot is scheduled for 7:30 PM

Roth Mobot is the Chicago based Circuit Bent musical duo of Tommy Stephenson and Patrick McCarthy. Roth Mobot’s invention of “recursive jazz” controls the random juxtaposition of improvised dark ambient drones, languid melodies, randomly discovered rhythms, percussive accidents, the humorous language of toys, and common discarded electronic devices, in what they refer to as “strategic improvisation.”

Circuit Benders In The Loop!
208 S. Wabash, Chicago
Friday, March 23, 3:45 PM – 12:00 AM

http://www.paintinaction.com/loop/folkfest

Photos and videos from the Frequencity release party

Thanks to everyone who came out to the Frequencity release party at Darkroom last night. Uber fun!





From Frequencity Release Party, posted by Liz Mclean Knight on 11/17/2011 (15 items)

Generated by Facebook Photo Fetcher


Photos from Crowdsourced 1.0


“What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant’s preliminary answer seems to be: “That which is “crowdsourced.”

To the unfamiliar, “crowdsourced” means that the content that is the most popular “rises to the top” via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through “diggs.” Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Electronic music fans and supporters were asked to vote on a number of the submissions from Chicago artists to determine the lineup for the night. After approximately 600 online-votes later, the results were in, and the top four will perform in order of the number of votes recieved.

It’s democracy in electronic music. Like, seriously, democracy. Not that “republic” stuff that’s been thrown around. These artists have been chosen by the people, for the people.

Crowdsourced 1.0:

dreamlogicc 9:15pm [mix]
Protman 8:30pm [mix]
Roth Mobot 7:45pm [mix]
Polyfuse 7:00pm [mix]“

From Crowdsourced 1.0- 4.10.11, posted by Liz Mclean Knight on 3/19/2011 (24 items)

Generated by Facebook Photo Fetcher


[4.10.11] Crowdsourced 1.0: dreamlogicc, Protman, Roth Mobot, Polyfuse





What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant‘s preliminary answer seems to be: "That which is "crowdsourced."

To the unfamiliar, "crowdsourced" means that the content that is the most popular "rises to the top" via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through "diggs." Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Electronic music fans and supporters were asked to vote on a number of the submissions from Chicago artists to determine the lineup for the night. After approximately 600 online-votes later, the results were in, and the top four will perform in order of the number of votes recieved.

It’s democracy in electronic music. Like, seriously, democracy. Not that "republic" stuff that’s been thrown around. These artists have been chosen by the people, for the people. 

Crowdsourced 1.0:

dreamlogicc 9:15pm [mix]
Protman 8:30pm [mix]
Roth Mobot 7:45pm [mix]
Polyfuse 7:00pm [mix]

The Empty Bottle 
7pm – 10pm
$3
1035 North Western Avenue, Chicago, IL 60622

Here were the contenders:

Rebound Kawa DJmix by Kawa

Alphabasic Arctic Tour 2011 Portland Whiskey Bar Live by Protman

Vista damage mixdown by [esc]ape

Audition For Randy by Justin McGrath

Live on RTS.FM by dreamlogic

Latest tracks by RothMobot

The Consequences by Liz Revision


Vote for Crowdsourced 1.0 Performers at the Empty Bottle

What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant’s preliminary answer seems to be: “That which is “crowdsourced.”

To the unfamiliar, “crowdsourced” means that the content that is the most popular “rises to the top” via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through “diggs.” Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Vote on mixes from local electronic music artisians to fill the four slots in the show that runs from 7pm to 10pm. And when you show up…it will be “crowdsourced.” Meaning, everyone there was voted into their slot.

It’s democracy in electronic music. Like, seriously, democracy. Not that "republic" stuff that’s been thrown around. Your vote actually has a say on whether this artist’s sounds assault your ears for 30 minutes or not. Think carefully and vote.

Go to subvariant.com to vote for your favorite artist. The contenders are Kawa, Protman, [esc]ape, Justin McGrath, dreamlogicc, Roth Mobot, and Liz Revision.

Vote early and encourage your friends to vote as well.

Crowdsourced 1.0
The Empty Bottle

7pm – 10pm
$3
1035 North Western Avenue, Chicago, IL 60622 

Here are the contenders:

Rebound Kawa DJmix by Kawa


Alphabasic Arctic Tour 2011 Portland Whiskey Bar Live by Protman


Vista damage mixdown by [esc]ape


Audition For Randy by Justin McGrath

Live on RTS.FM by dreamlogicc

Latest tracks by RothMobot

The Consequences by Liz Revision on Mixcloud

Voting ends Friday, March 25.

“Audition” to open for Randy Garcia on April 10 at the Empty Bottle

You can have a chance to open up for Randy Garcia at the Empty Bottle! And we all get to vote. :-)

He plays an upbeat, melodic blend of low-fi / 8bit / glitch/ IDM combined with live instrumentation and is currently on tour to support his new album to be released in April, Resurgens which features a vocal-heavy approach, bolstered by the guest talents of NNXT, DiViNCi (of S.O.S), Plusses and Ups, Tricil, Labtob and long-time collaborator Threv.


RANDY GARCIA’S MUSIC: http://randygarcia.com/wp/music-2/listen

SUBMISSION RULES:
- Confirm that you will be available to play on Sunday April 10 at 7 or 8pm
- Upload a DJ mix or Live PA of about an hour that shows your typical performance by Sunday, March 13 and mail the link to submissions@subvariant.com. Please do NOT use a free download service like Megaupload where you have to download the whole file to listen to it. Some great free services to host DJ mixes & live sets: http://www.mixcloud.com or http://www.soundcloud.com
- We’ll sort through the submissions and choose the finalists
- Then you guys get to vote on your favorite submission. There will be two opening slots.
- Voting will end on Saturday March 19

DETAILS FOR THE SHOW:
Sunday, April 10, 2011
R_Garcia [Nophi, subVariant] + TBA 
7pm – 10pm Empty Bottle, 1035 North Western Avenue, Chicago, IL 60622
$ TBD

Brought to you byChicago Innovative Electronic Music [CIEM]and subVariant

BIO: 
R_Garcia (Randy Garcia), born April 20th, 1977 in Miami, FL, is a
modern electronic composer, producer and multi-instrumental performer.
Currently based in Atlanta, GA, Garcia heads the seminal Nophi
Recordings, as well as the annual Nophest Summer Music Festival. In
addition to his solo work, he composes and tours as part of the
critically acclaimed art-rock band, Nerd Parade.


Known primarily for his involvement in the genesis of the American IDM 
(Intelligent Dance Music) movement, R_Garcia has long employed a punk
rock ethic in his musical endeavors, often eschewing traditional
industry practices in favor of a DIY philosophy.
NOPHI RECORDINGS
“In 1998, Nophi Recordings was founded by R_Garcia and Mic Mell.
Nophi’s focus would be instrumental and electronic music, relying
heavily on a handmade aesthetic and grass-roots promotion.
Nophi flourished through the 2000′sbefore finally undergoing an overhaul  in 2009 — when the label won Creative Loafing’s Best of Atlanta 2009  awards for “Best Record Label (Readers Choice).”

RECENT & CURRENT
Beginning in 2007, R.Garcia released an onslaught of both new and
previously unreleased material. Among those recordings are three of
Garcia’s most adventurous works: A Delicate Bashing, which introduced
his live band, Nerd Parade; The largely acoustic I Used to Write on
Walls
; and the Critically acclaimed LP of instrumental love songs,
Everything Ever. All three recordings heavily tied Garcia’s affinity
for live instrumentation to electronic production and set the stage
for the future of his music.

By 2010, R_Garcia had been invited to score a television commercial
for Kelloggs and work closely with Grammy Candidates 3KStatic on
Evolver, a unique sample and loop CD for Sony Creative Software. He
also produced recordings and remixes for Pearl Future, Kevin Max (of
DC Talk), Pop Will Eat Itself and Julie Slick (Adrian Belew). In April
of 2011, Garcia will release his next LP, Resurgens which features a
vocal-heavy approach, bolstered by the guest talents of NNXT, DiViNCi
(of S.O.S), Plusses and Ups, Tricil, Labtob and long-time collaborator
Threv.

Open Channel 3: Chicago Electronic Open Mic

Sort of like it’s analog cousin, Open Channel is an non-curated musician’s showcase in a supportive, relaxed environment, except it showcases electronic music, either through DJing or Live PAs. You will get 20 minutes to show off what you do musically, and then listen to other people doing the same thing.

There are 12 slots open. The first 12 people who RSVP and pay will be guaranteed a slot. Playing order will be determined on the date of the performance.


You are also absolutely welcome to bring friends, or just come as a spectator!

There is a suggested donation of $5.

TECH STUFF:


* You will be plugging in to an open channel on the mixer with one RCA cable from your gear. We will have 2 people set up on the table and then use the mixer to fade between people when they are ready to go, without dead air. Please try to stick to the 20 minute limit so everyone gets a chance to play.

* There are no monitors, but the room is not huge and the space is carpeted.

* Please note that there is not a lot of room at the front of house, so try to keep your gear footprint to the smallest you can manage (ie: there is no room to set up a full drum kit, so don’t bring it). The ideal setup would be a laptop plus one or two pieces of outboard gear / MIDI controllers.

* You will be plugging into a Beringer mixer so you will need to have L/R 1/4″ mono plugs out

Scroll to MULTIKULTI on the call box to get buzzed in and go up to the 4th floor. The space is an art + media collective and gallery. BYOB.

Text / call me personally at (312) 869-4647.

Please say OPEN CHANNEL at the buzzer or door so you can be directed to the right room. See you soon!

Multikulti
1000 N. Milwaukee Ave, 4th Fl
Chicago IL 60647
7pm-11:30pm