subVariant Releases a Free Electronic Music Compilation Featuring Work from Chicago-Based Musicians Called “Frequencity”

frequencity


FOR IMMEDIATE RELEASE

Chicago-based innovative electronic music label subVariant will release a free-to-download compliation called Frequencity featuring quality songs from Chicagoland musicians. Earlier this year subVariant released a public call for electronic music from area musicians, without restriction on the genre. In response, a dozen tracks were chosen that represented high quality perspectives on the medium from a talented group of musicians.

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[SUBV008] VA: Frequencity

frequencity


Frequencity is a curated compilation featuring quality cross-genre electronic music tracks from Chicagoland musicians. Earlier this year subVariant released a public call for electronic music from area musicians, and in response, a dozen tracks were chosen that represented high quality perspectives on the medium from a talented group of people.

As a sample, Ukrainian Village-based Beanbake opens up the compilation with a grandiose, uplifting track that makes you feel as though you were biking along Lake Shore Drive with a gentle breeze at your back and no joggers to evade. Ella Laurence from the far Northwest side made her classic acid track, “aaaAAH” with the help of her dad, Eric. “Big deal,” you say, right? Oh, did I mention that Ella was 9 months old at the time? Drasla takes Beethoven’s “Moonlight Sonata” and twists it into a deeply textured, evocative, IDM-tinged spin on classical from his Chicago base. Elock ends the compilation on a bleepy, squelchy, modulated lo-fi high note with his over the top chiptune party jam, “Ari On Acid.” All this amazingness is delivered to worldwide ears from a select group of people who call Chicago their home.

TRACKLIST (Tracks can be individually downloaded in the music player above)
01. Beanbake: “A Bicycle In Your Mind” [Melodic Electronica]
02. Belmont and Clark: “Dark Compression” [Analogue Electro]
03. Ella Laurence: “aaaAH” [Acid]
04. [esc]APE: “Square Fingers” [Dark Electro]
05. Polyfuse: “Blood on the Urinal” [Electro Industrial]
06. Foe Paw: “Dos Otros” [Prog Rock]
07. XYZR_KX: “Home” [Folk IDM]
08. Mike Gonsior: “Reflections” [Downtempo Electronica]
09. Quantazelle: “Polychromatic Tomatoes” [Melodic Electronica]
10. Lokua: “Hue” [Minimal Techno]
11. Drasla: “Moonlight Somnambula” [Neo-Classical IDM]
12. Elock: “Ari on Acid” [Chiptune]

{DOWNLOAD .ZIP}

We’ve also released an original t-shirt design in the theme of “Chicago Electronic Music” and can be bought here. It features the world CHICAGO stylized in a printed circuit board typography and is available in multiple colors.

chicago electronic music t-shirts

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Most expensive Cindy Sherman photo was the inspiration behind Quantazelle’s promo photo

Like Ms. Sherman, my creative process involves being alone, thinking, devising, mentally-sketching, tweaking, re-tweaking, re-thinking; sharing for feedback, and then re-tweaking some more. It’s emblematic of the contemporary, technology-enabled artist, in a way. Creative types have so many resources available: so many mediums to muck around in, so many visual sandboxes (like Adobe CSx–Photoshop, Illustrator, Premier); audio playgrounds (like Reaktor, Ableton, FL Studio) and platforms for interdisciplinary / cross-medium work (like Max/MSP, etc).

When I applied to art colleges, I was so disheartened by the rampant insistence that I choose a medium. I didn’t like the feeling of being forced to create within an established “language” (medium) that could be critically evaluated (by critics who specialized in media). Then I found California Institute of the Arts, was accepted, and played and played and played and finally found my voice. A voice that was me, and not limited to choice of media, but one that used media to express the ideas I wanted to introduce to the world.

And that, I feel, is true contemporary artistry. Knowing that the clay of the world is yours to play with and yours to enjoy.

Full Quantazelle rant is here.

Call for Submissions from Chicago Musicians

UPDATE: Due to initial technical difficulties and summer electronic music festivals (and a lot of begging for more time :-p), the deadline is extended to Monday, June 13, 2011 at 9am. The entries will be listened to through the following week and we’ll let you know if your stuff has been chosen.

Hey, Chicagoland-based electronic musicians! Want to be part of a Chicago electronic music compilation? subVariant is planning to release a free-to-download collection called Frequencity featuring quality songs from regional musicians.

All electronic music genres are welcome, but the final compilation will be a limited selection of tracks chosen by the subVariant A&R team.

subVariant will also release an original t-shirt design in the theme of “Chicago Electronic Music” when the compilation is officially released.

Going with the Chicagoland Chamber of Commerce’s definition, participation is only open to musicians in Cook, DuPage, Kane, Lake, McHenry and Will counties. Even though Chicago-based Chicagoans tend to scoff at suburbanites who adopt the label, we’ll let this one be open to a larger pool of applicants.

The deadline for submissions is Thursday, June 2, 2011 at 8pm Monday, June 13 at 9am.

So, got a track or three you think we’ll like? Let us listen!

Fill out the Frequencity Participation Application

Photos from Crowdsourced 1.0


“What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant’s preliminary answer seems to be: “That which is “crowdsourced.”

To the unfamiliar, “crowdsourced” means that the content that is the most popular “rises to the top” via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through “diggs.” Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Electronic music fans and supporters were asked to vote on a number of the submissions from Chicago artists to determine the lineup for the night. After approximately 600 online-votes later, the results were in, and the top four will perform in order of the number of votes recieved.

It’s democracy in electronic music. Like, seriously, democracy. Not that “republic” stuff that’s been thrown around. These artists have been chosen by the people, for the people.

Crowdsourced 1.0:

dreamlogicc 9:15pm [mix]
Protman 8:30pm [mix]
Roth Mobot 7:45pm [mix]
Polyfuse 7:00pm [mix]“

From Crowdsourced 1.0- 4.10.11, posted by Liz Mclean Knight on 3/19/2011 (24 items)

Generated by Facebook Photo Fetcher


[4.10.11] Crowdsourced 1.0: dreamlogicc, Protman, Roth Mobot, Polyfuse





What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant‘s preliminary answer seems to be: "That which is "crowdsourced."

To the unfamiliar, "crowdsourced" means that the content that is the most popular "rises to the top" via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through "diggs." Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Electronic music fans and supporters were asked to vote on a number of the submissions from Chicago artists to determine the lineup for the night. After approximately 600 online-votes later, the results were in, and the top four will perform in order of the number of votes recieved.

It’s democracy in electronic music. Like, seriously, democracy. Not that "republic" stuff that’s been thrown around. These artists have been chosen by the people, for the people. 

Crowdsourced 1.0:

dreamlogicc 9:15pm [mix]
Protman 8:30pm [mix]
Roth Mobot 7:45pm [mix]
Polyfuse 7:00pm [mix]

The Empty Bottle 
7pm – 10pm
$3
1035 North Western Avenue, Chicago, IL 60622

Here were the contenders:

Rebound Kawa DJmix by Kawa

Alphabasic Arctic Tour 2011 Portland Whiskey Bar Live by Protman

Vista damage mixdown by [esc]ape

Audition For Randy by Justin McGrath

Live on RTS.FM by dreamlogic

Latest tracks by RothMobot

The Consequences by Liz Revision


Vote for Crowdsourced 1.0 Performers at the Empty Bottle

What really makes a music scene? You know–those certain reasons that make you put on a jacket and promptly head for the El or call a cab just to get there in time. That’s what Chicago Innovative Electronic Music (CIEM) and subVariant are asking via their Crowdsourced 1.0 event: What is it about electronic music that people want to see live?

It really is a heady question. But, CIEM & subVariant’s preliminary answer seems to be: “That which is “crowdsourced.”

To the unfamiliar, “crowdsourced” means that the content that is the most popular “rises to the top” via votes–as in, the crowd chooses what’s the most relevant. On Digg.com (a popular news and entertainment aggregator) the front page is filled with only the content that has been voted up through “diggs.” Threadless is also a good example: only the designs that are voted hottest actually make it to production.

On April 10, CIEM will test their theory in the electronic music world. Vote on mixes from local electronic music artisians to fill the four slots in the show that runs from 7pm to 10pm. And when you show up…it will be “crowdsourced.” Meaning, everyone there was voted into their slot.

It’s democracy in electronic music. Like, seriously, democracy. Not that "republic" stuff that’s been thrown around. Your vote actually has a say on whether this artist’s sounds assault your ears for 30 minutes or not. Think carefully and vote.

Go to subvariant.com to vote for your favorite artist. The contenders are Kawa, Protman, [esc]ape, Justin McGrath, dreamlogicc, Roth Mobot, and Liz Revision.

Vote early and encourage your friends to vote as well.

Crowdsourced 1.0
The Empty Bottle

7pm – 10pm
$3
1035 North Western Avenue, Chicago, IL 60622 

Here are the contenders:

Rebound Kawa DJmix by Kawa


Alphabasic Arctic Tour 2011 Portland Whiskey Bar Live by Protman


Vista damage mixdown by [esc]ape


Audition For Randy by Justin McGrath

Live on RTS.FM by dreamlogicc

Latest tracks by RothMobot

The Consequences by Liz Revision on Mixcloud

Voting ends Friday, March 25.

“Audition” to open for Randy Garcia on April 10 at the Empty Bottle

You can have a chance to open up for Randy Garcia at the Empty Bottle! And we all get to vote. :-)

He plays an upbeat, melodic blend of low-fi / 8bit / glitch/ IDM combined with live instrumentation and is currently on tour to support his new album to be released in April, Resurgens which features a vocal-heavy approach, bolstered by the guest talents of NNXT, DiViNCi (of S.O.S), Plusses and Ups, Tricil, Labtob and long-time collaborator Threv.


RANDY GARCIA’S MUSIC: http://randygarcia.com/wp/music-2/listen

SUBMISSION RULES:
- Confirm that you will be available to play on Sunday April 10 at 7 or 8pm
- Upload a DJ mix or Live PA of about an hour that shows your typical performance by Sunday, March 13 and mail the link to submissions@subvariant.com. Please do NOT use a free download service like Megaupload where you have to download the whole file to listen to it. Some great free services to host DJ mixes & live sets: http://www.mixcloud.com or http://www.soundcloud.com
- We’ll sort through the submissions and choose the finalists
- Then you guys get to vote on your favorite submission. There will be two opening slots.
- Voting will end on Saturday March 19

DETAILS FOR THE SHOW:
Sunday, April 10, 2011
R_Garcia [Nophi, subVariant] + TBA 
7pm – 10pm Empty Bottle, 1035 North Western Avenue, Chicago, IL 60622
$ TBD

Brought to you byChicago Innovative Electronic Music [CIEM]and subVariant

BIO: 
R_Garcia (Randy Garcia), born April 20th, 1977 in Miami, FL, is a
modern electronic composer, producer and multi-instrumental performer.
Currently based in Atlanta, GA, Garcia heads the seminal Nophi
Recordings, as well as the annual Nophest Summer Music Festival. In
addition to his solo work, he composes and tours as part of the
critically acclaimed art-rock band, Nerd Parade.


Known primarily for his involvement in the genesis of the American IDM 
(Intelligent Dance Music) movement, R_Garcia has long employed a punk
rock ethic in his musical endeavors, often eschewing traditional
industry practices in favor of a DIY philosophy.
NOPHI RECORDINGS
“In 1998, Nophi Recordings was founded by R_Garcia and Mic Mell.
Nophi’s focus would be instrumental and electronic music, relying
heavily on a handmade aesthetic and grass-roots promotion.
Nophi flourished through the 2000′sbefore finally undergoing an overhaul  in 2009 — when the label won Creative Loafing’s Best of Atlanta 2009  awards for “Best Record Label (Readers Choice).”

RECENT & CURRENT
Beginning in 2007, R.Garcia released an onslaught of both new and
previously unreleased material. Among those recordings are three of
Garcia’s most adventurous works: A Delicate Bashing, which introduced
his live band, Nerd Parade; The largely acoustic I Used to Write on
Walls
; and the Critically acclaimed LP of instrumental love songs,
Everything Ever. All three recordings heavily tied Garcia’s affinity
for live instrumentation to electronic production and set the stage
for the future of his music.

By 2010, R_Garcia had been invited to score a television commercial
for Kelloggs and work closely with Grammy Candidates 3KStatic on
Evolver, a unique sample and loop CD for Sony Creative Software. He
also produced recordings and remixes for Pearl Future, Kevin Max (of
DC Talk), Pop Will Eat Itself and Julie Slick (Adrian Belew). In April
of 2011, Garcia will release his next LP, Resurgens which features a
vocal-heavy approach, bolstered by the guest talents of NNXT, DiViNCi
(of S.O.S), Plusses and Ups, Tricil, Labtob and long-time collaborator
Threv.